Alessandro Rinaldi
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Bio

Alessandro Rinaldi was born in Macerata on August 6, 1957.
He made his debut in the 1980s as a comic book scriptwriter for magazines such as ‘Frigidaire’, ‘Tempi Supplementari’, and ‘Frizzer’ (Primo Carnera Editore – Rome).
Subsequent publications appeared in the magazines ‘Il Grifo’ (founded in 1991 by Paganelli and directed by Vincenzo Mollica) and El Víbora (Spain).
In 1984, he began his journey as a painter. Starting from a figurative phase, his painting — far from a purely emotional or individual form of abstraction — explores metaphysical values and meanings drawn from diverse cultural traditions of both East and West. Through the language of symbols, painting becomes a gateway to “sensitive and intelligible worlds.”

His art features a constant and varied use of materials: natural elements such as sand, fabric, metals, nets, wood and ceramic powders are shaped and combined. Water-based oil paint is the medium best suited to interact with such elements. The surfaces are painted in layered forms: underlying colors are revealed and gain their own reflections by scraping the top layers with metal points. The resulting chromatic dynamic takes on a metaphorical dimension, giving rise to a succession of veils where seeing becomes more of a “glimpsing.”

Between the lines, one senses an unconscious reference to the geography and morphology of the beautiful hilly landscape that surrounds him.

A primary school teacher since 1991, he has written dozens of theatrical texts for children for the regional theater festival Tutta Scena, winning several editions.
Since 2000, as a father of three, he has written various essays, novels, and collections of poetry.
In 2014, he placed second in the National Literary Competition “Cinquantesimo Marcelli” in the film screenplay category with the work Come dei passi sul tetto.
Ebook edition published by www.marcellieditore.com
In 2020, he published Registro di un maestro with Calibano Editore (Milan) — a literal, more than literary, record of the human and artisanal experience of an elementary school teacher.

Exhibitions

  • Dal 2010 al 2020

    • From May 27 to 29, 2011 – Group exhibition “150 Artists – Brothers in Italy” at Palazzo Monte Frumentario, Assisi.
    • From March 6 to April 30, 2015 – Solo exhibition “ANTRI” at Antica Casa Vinicola Garofoli, Castelfidardo (AN).
    • From October 21 to 23, 2017 – Solo exhibition “In Via” at Magazzini UTO, Macerata – Sponsored by the Municipality of Macerata.
  • Dal 1990 al 2010

    • From March 8 to 27, 1997 – Regional group exhibition ‘TRACCE’ – Young Visual Arts at Mole Vanvitelliana, Ancona.
    • From June 6 to 21, 2009 – Solo exhibition presented by GUTTI’S Art Gallery LTD, 8 Greville Road, Flat 41 Regents Plaza – Apartments NW6 5HU, London (UK). Review by Pierre M.B.
    • August 2000 – Solo exhibition ‘In Honor of Giuseppe Tucci’ sponsored by the Marche Region – Antichi Forni, Macerata.
    • December 16, 2006 – Solo exhibition ‘Mani D’Opere’ – Palazzo Cardinale Cento, Pollenza
    • From December 19, 2009 to January 31, 2010 – ‘DUE’ with Ancona-based painter Umberto Grati – Palazzo Cento, Municipality of Pollenza (MC).
  • 1984

    February 29, 1984 – Solo exhibition “Ships, Colors, Other… and Whales”
    Macerata – Exhibition hall and sponsorship by the Savings Bank of the Province of Macerata.
    Review by painter Vladimiro Tulli.

Alessandro Rinaldi They say about me

“…this individual, whom I call an artist, has the courage to pass through the body in order to transcend it and, in a one-to-one ritual, walks the path of knowledge.”

(Pierre M.B, critic – Gutti’s Gallery)

“…and then you think of Jonah, of Licini in the ’30s, perhaps a little of Fellini, then of Klee, of a certain surrealism without anguish and without sin…”

(Vladimiro Tulli, futurist painter)

“…in his works there is no narrative, no signature, no date. They are atemporal and aspatial, supra-individual entities, custodians of a common good that can protect and safeguard the individual as the medium of a universal message…”

Elsnco puntato

“…Rinaldi returns to the void through an alchemical operation that releases free forms, icons which in nothingness take on the demiurgic shapes of all possibilities, potentially representative of childhood, of creation, and of zero…”

(Giuliana Pascucci – art historian and museologist)

“…the difference between scientific writing and high-level literature. Beautiful…”

(Massimo Marassi, Professor of Theoretical Philosophy – Catholic University of Milan)

“…these poems are very beautiful, they are abstract and yet concrete, sorrowful and even smiling, rich in semantic and thematic or figural inventions (around a single subject). And: how beautiful that ‘Love does not tear after what it first stretches!’…”

(Rubina Giorgi, Professor of Philosophy of Language – University of Salerno)